Shape Language Showreel

Build this in Layerz Canvas using the layerz-canvas MCP.

A 15-second abstract motion showreel, 1920×1080 at 60fps, built only from circles, squares, triangles and lines in a Bauhaus palette. It should feel like a designer flexing timing: tight, musical, and surprising.

Look: off-white #EFE9DD ground, primary red #E63A2E, cobalt #2246C4, mustard #F2B32B, ink #141414. Type only at the end: Futura-like geometric sans (SF Pro Display Heavy is fine), all caps.

Beats (cut every ~1.5s to a new idea, transitions driven by the shapes themselves):
- 0.0–1.5s: an ink line draws across the frame; a red circle drops onto it and rolls left to right, the line bending under its weight.
- 1.5–3.0s: the circle hits the edge and splits into four quarter circles that spin and reassemble as a square in cobalt.
- 3.0–4.5s: the square folds like paper — four 2.5D flips — into a mustard triangle.
- 4.5–6.0s: the triangle multiplies into a 6×4 grid that ripples from the centre, each triangle rotating 120° in a 20ms stagger.
- 6.0–7.5s: the grid collapses into a single row of ink dots that bounce like a spectrum meter.
- 7.5–9.5s: camera dives into one dot; it fills the frame as red. Inside, a cobalt circle and mustard semicircle orbit each other.
- 9.5–11.0s: a burst of 120 small confetti shapes in the three colours sprays out, then the pieces snap into tidy lines like magnetised filings.
- 11.0–13.0s: the lines form a classic poster layout: a large red circle, a cobalt bar, a mustard triangle, all settling with springy overshoot.
- 13.0–15.0s: the word "SHAPE" sets in the empty space, letters dropping in one by one; a tiny "Made with Layerz Canvas" sits in the margin.

Craft notes: every transition is caused by a shape (a roll, a fold, a dive) — never a crossfade; the palette never gains a fourth colour; hold the final poster at least 1s.